Medieval Wales

Our Celtic courses are currently under review and will not be available for entry in , or for deferred entry in Introduction If you are fascinated by the heroic sagas and delicate nature poetry of early medieval Ireland, the fragmentary inscriptions from Celtic Gaul, or the luminous medieval Welsh prose tales of the Mabinogion, then the study of Celtic is something for you. The Celtic Studies course at Oxford takes you right to the heart of the literature of Britain and Ireland from the earliest evidence through to the Middle Ages and beyond. It extends from intricate bardic poetry to modern drama, and covers the history of the Celtic languages up to the present day. As a subject Celtic intersects with History, Archaeology, English, Linguistics, and Medieval Latin, making it intrinsically interdisciplinary. Celtic Studies is a crucial part of our understanding of the cultural and linguistic formation, not only of Britain and Ireland, but of Europe as a whole.

Introduction

Early Celtic literature[ edit ] Early Celtic literature[ edit ] Gaelic language and literature from Ireland became established in the West of Scotland between the 4th and 6th centuries. Until the development of Scottish Gaelic literature with a distinct identity, there was a literary standard shared between Gaelic-speaking Ireland and Scotland, sometimes known as Classical Gaelic. The Hiberno-Scottish mission from the 6th century spread Christianity and established monasteries and centres of writing.

Brut y Brenhinedd (“Chronicle of the Kings”) is a collection of variant Middle Welsh versions of Geoffrey of Monmouth’s Latin Historia Regum Britanniae. About 60 versions survive, with the earliest dating to the midth century.

Cymru, the nation; Cymry, the people; Cymraeg, the language Orientation Identification. The Britons, a Celtic tribe, who first settled in the area that is now Wales, had already begun to identify themselves as a distinct culture by the sixth century C. The word “Cymry,” referring to the country, first appeared in a poem dating from The words “Wales” and “Welsh” are Saxon in origin and were used by the invading Germanic tribe to denote people who spoke a different language.

The Welsh sense of identity has endured despite invasions, absorption into Great Britain, mass immigration, and, more recently, the arrival of non-Welsh residents. Language has played a significant role in contributing to the sense of unity felt by the Welsh; more than the other Celtic languages, Welsh has maintained a significant number of speakers.

During the eighteenth century a literary and cultural rebirth of the language occurred which further helped to solidify national identity and create ethnic pride among the Welsh. Central to Welsh culture is the centuries-old folk tradition of poetry and music which has helped keep the Welsh language alive. Welsh intellectuals in the eighteenth and nineteenth centuries wrote extensively on the subject of Welsh culture, promoting the language as the key to preserving national identity.

Welsh literature, poetry, and music flourished in the nineteenth century as literacy rates and the availability of printed material increased.

Introduction

Its publication now is not due to its completion, more to answer questions about my disagreement with many accepted dates of military masonry structures in the UK. This discussion is in no way supposed to be definitive, but it is intended to provoke thought, argument and, hopefully, comment. Thomas Much has been written about the dating of Medieval Military Architecture and many theories have grown up through the study of the so-called progression of building styles – from wood to stone – from square to octagonal to round.

In tandem with this these styles have been named from Norman to Early English to Transitional etc etc. Now after many years formulation and study these ‘standards’ have solidified and become accepted. It is therefore necessary to re-assess the evidence for the value of these procedures, and here I intend to show that these now require re-evaluation.

Medieval Welsh language and Literature CO-ORDINATOR: Professor PAUL RUSSELL This course provides, over two years, an introduction to Medieval Welsh language and literature. Among the Medieval Welsh literature studied in the course (in the original or in translation) there is a small quantity of possibly dating from as.

The Dream of Rhonabwy c. They were not original compositions, drawing as they did on pre-existing traditional material, whether from oral or written sources. But these traditions were reworked, often to reflect contemporary concerns. We might read the Mabinogion as both an interpretation of a mythological past and a commentary on the medieval present. The two and half centuries during which the Mabinogion texts were being composed represent a threshold of critical transition in Welsh history and literature.

Here, in this little-known corner of the European Middle Ages, we find the thought-worlds of oral antiquity and literate proto-modernity face-to-face in curious proximity. The transition between the two can be traced as a literary process – which we can observe unfolding on the very pages of the Mabinogion.

By the end of the twelfth century, Middle Welsh narrative prose was in its second or third generation, and along with poetical and triadic material formed part of an expanding, self-referencing literary tradition. Vernacular literary self-confidence, as well as foreign influence, accounts for the gilded splendour of thirteenth-century works such as the Three Romances and the Dream of Macsen Wledig. The conclusion of this tradition is marked by the Dream of Rhonabwy, where literary self-consciousness has come full-circle and finally turned in on itself — anticipating the sloughing of the medieval spirit that took place throughout Europe in the following centuries.

Far from being ‘a ruin of antiquity’ — as Matthew Arnold misunderstood the Mabinogion i — these texts are better understood as constituent parts of a complex and ongoing literary conversation. Within this unfolding tradition, each name, motif and reiterated incident would have formed part of a cumulative constellation of meaning.

The Date and Politics of ‘The Song of the Welsh’

Share Tweet Bows and arrows have been around since Paleolithic times, with evidence of them as early as BC in Germany. A CT scan revealed a stone, projectile point embedded in his hip. He dates to BC. A new find in Norway revealed year old bows and arrows that are very similar in form and function to those found in the Yukon dating to the same time period. Cadwallon had allied himself with Penda of Mercia in an attempt to drive the Northumbrians from Gwynedd, after Edwin had defeated his father and taken over the country.

It is another five centuries before there is any recorded use of a longbow in England.

Rodway, S , Dating Medieval Welsh Literature: Evidence from the Verbal System. CMCS Publications, Aberystwyth.

Mythical locations[ edit ] In both Welsh and Irish mythologies , the Otherworld was believed to be located either on an island or underneath the earth. In the First Branch of the Mabinogi , it is implied that Annwn is a land within Dyfed , while the context of the Arthurian poem Preiddeu Annwfn suggests an island location. Two other otherworldly feasts that occur in the Second Branch of the Mabinogi are located in Harlech in northwest Wales and on Ynys Gwales in southwest Pembrokeshire.

Appearances in Welsh literature[ edit ] Annwn plays a reasonably prominent role in the Four Branches of the Mabinogi , a set of four interlinked mythological tales dating from the early medieval period. In the First Branch of the Mabinogi , entitled Pwyll , Prince of Dyfed, the eponymous prince offends Arawn, ruler of Annwn, by baiting his hunting hounds on a stag that Arawn’s dogs had brought down.

In recompense he exchanges places with Arawn for a year and defeats Arawn’s enemy Hafgan , while Arawn rules in his stead in Dyfed. During this year, Pwyll abstains from sleeping with Arawn’s wife, earning himself gratitude and eternal friendship from Arawn. Image by Ernest Wallcousins , The similarly mythological epic poem Cad Goddeu describes a battle between Gwynedd and the forces of Annwn, led again by Arawn.

It is revealed that Amaethon , nephew to Math , king of Gwynedd, stole a bitch , a lapwing and a roebuck from the Otherworld, leading to a war between the two peoples. The denizens of Annwn are depicted as bizarre and hellish creatures; these include a “wide-mawed” beast with a hundred heads and bearing a host beneath the root of its tongue and another under its neck, a hundred-clawed black-groined toad, and a “mottled ridged serpent, with a thousand souls, by their sins, tortured in the holds of its flesh”.

Medieval Welsh Literature – MA

Irish Influence on Medieval Welsh Literature A new book by Patrick Sims-Williams Patrick Sims-Williams has recently completed a new book, published by Oxford University Press, March , on Irish influence on medieval Welsh literature which will be of interest not only to medievalists but to all those concerned with the problem of how to recognize and evaluate literary influence.

Phonology and Chronology, C. With the settlement of Irish emigrants in Wales from the 5th century onwards, Irish scholars worked in Wales in the 9th century, and throughout the Middle Ages there were ecclesiastical, mercantile, and military contacts across the Irish Sea. From this standpoint, it is not surprising that the names of Irish heroes such as Cu Roi, Cu Chulainn, Finn, and Deirdre became known to Welsh poets, and that Irish narratives influenced the authors of the Welsh Mabinogion.

Medieval Welsh literature is the literature written in the Welsh language during the Middle Ages. This includes material starting from the 5th century AD, when Welsh was in the process of becoming distinct from Common Brittonic, and continuing to the works of the 16th century.

I shall not talk even for one hour tonight, My retinue is not very large, I and my Frank, round our cauldron. I shall not sing, I shall not laugh, I shall not jest tonight Though we drank clear mead, My Frank and I, round our bowl. Let no one ask me for merriment tonight, Mean is my company, Two lords can talk: English translation after Ifor Williams.

Studies by Sir Ifor Williams D. Latin was the language of law, government, business and literature in Roman Wales. Latin remained the international language of the highest status throughout the early medieval and medieval periods. It was the language of Christian texts, liturgy and education.

Irish influence on medieval Welsh literature

In this paper I endeavour to solve some of the problems inherent in a chronology that has been distorted by two separate strands of dating mechanisms within Gregory of Tours’ History in Ten Books. The first where Clovis’ reign ends in and the second where an effort was made to extend his life and reign to I will propose that seven years were added to Clovis’ life and reign by an interpolator to create this extension.

This will then show that Clovis was a minor when Childeric, his father died and so Clovis was unable to become king until he became fifteen years of age in CE. I will also examine the letters of the bishops Remigius and Avitus and suggest their correct dating and find confirmation that Clovis was baptised as a Catholic in December by revealing who Avitus’ Princeps was that had eluded Danuta Shanzer in her paper-Dating the Baptism of Clovis.

The Mabinogion (Welsh pronunciation: [mabɪˈnɔɡjɔn] (listen)) are the earliest prose stories of the literature of Britain. The stories were compiled in Middle Welsh in .

Did Cancer Exist in the Middle Ages? In , my dad was diagnosed with a second unrelated cancer—something horrible called lyposarcoma with a 15 pound tumor in his abdomen. A month after my father died in , my mother was diagnosed with breast cancer, her second unrelated cancer. How common was cancer in the past? If cancer is more common now than before it could be because: The earliest known descriptions of cancer appear in seven papyri, discovered and deciphered late in the 19th century.

They provided the first direct knowledge of Egyptian medical practice. Based on the information recorded on papyri and hieroglyphic inscriptions, ancient Egyptians were able to distinguish benign tumors from malignant tumors. They were also able to use different treatments, including surgery, and other various modes of medicine. The document acknowledged that there is no treatment for this condition and recommended cauterization the fire drill as a palliative measure.

When the humors were balanced, a person was healthy. Too much or too little of any of the humors caused disease. An excess of black bile in various body sites was thought to cause cancer. During this period, the study of the body, including autopsies, was prohibited for religious reasons, which limited progress of medical knowledge.

King Arthur in medieval sources

See Article History English literature, the body of written works produced in the English language by inhabitants of the British Isles including Ireland from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature , Australian literature , Canadian literature , and New Zealand literature. English literature has sometimes been stigmatized as insular.

Yet in the Middle Ages the Old English literature of the subjugated Saxons was leavened by the Latin and Anglo-Norman writings , eminently foreign in origin, in which the churchmen and the Norman conquerors expressed themselves. From this combination emerged a flexible and subtle linguistic instrument exploited by Geoffrey Chaucer and brought to supreme application by William Shakespeare. During the Renaissance the renewed interest in Classical learning and values had an important effect on English literature, as on all the arts; and ideas of Augustan literary propriety in the 18th century and reverence in the 19th century for a less specific, though still selectively viewed, Classical antiquity continued to shape the literature.

In Law and the Imagination in Medieval Wales, Robin Chapman Stacey explores the idea of law as a form of political fiction: a body of literature that blurs the lines generally drawn between the legal and literary genres. She argues that for jurists of thirteenth-century Wales, legal writing was an intensely imaginative genre, one acutely.

Legend and Landscape of Wales: Companion Tales to The Mabinogi. Legend and Landscape of Wales. Photography by Anthony Griffiths. Robin Williams; Daniel Morden. The National Library opf Wales: Dictionary of Welsh biography. Retrieved 6 March UK and Ireland Genealogy. Data Wales Index and search. The Oxford Companion to the Literature of Wales.

University of Wales Press, , p.

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